Feature Review:
Men In Black 2
Written by: Brian
Orndorf
Rated: 3/10
1997’s “Men In Black” set the world on fire with its
combination of big laughs and ever bigger aliens. Now 5 years, and a
million salary discussions later, comes “Men In Black 2.” While I
found the original to be appealing, and occasionally amusing, it was
far from a home run for me. It lacked true laughs, and the speedy plot
never really caught fire. So with most of the principals returning to
the black suits, along with director Barry Sonnenfeld, is there any
chance they’ve found a way to maximize the entertainment factor of
this limitless story?
It’s been years since Agent Jay (Will Smith) and Kay (Tommy Lee
Jones) battled Edgar Bug for control of the universe. Now, with Agent
Kay resigned to a simpler life with his memory cleared, trouble has
risen again with the arrival of the villainous Serleena (Lara Flynn
Boyle). A shape shifting monster on Earth under the guise of a
Victoria’s Secret model, Serleena has come in search of the all
powerful Light Of Zartha. Learning that a crucial piece of the puzzle
of defeating Serleena lies in the blanked out brain of Agent Kay,
Agent Jay brings his old partner back into the fold in hopes that the
two can get rid of this new threat to Earth before catastrophe occurs.
Sadly, I think the money’s gone to everyone’s brain. “Men In
Black 2” is as joyless and strained as a sequel can get. It forgoes
everything that made the original so special to audiences in favor of
reheated gags and a plot it would be kind to call convoluted. Even
worse, I didn’t expect anything but this mess. Director Barry
Sonnenfeld has too much at stake here, coming off a turkey like
1999’s “Wild Wild West.” Sonnenfeld showed signs that he
understood that his excesses are reprehensible with the quirky,
misunderstood flop “Big Trouble,” from earlier this year. But when
Sonnenfeld gets an unlimited budget and the ear of the whole world,
you better run for cover. One of the key ingredients to “Men In
Black” was the unearthing of the alien community. There was a beauty
in the wonder the audience had as it was introduced to this underbelly
of life through the eyes of Agent Jay. Now, with “MIB2,” you
can’t go back home and expect us to be as floored. We’ve seen it
already. But does this mean Sonnenfeld finds new ways to make us
wide-eyed and giggly? Not really. As in his “Wild Wild West”
fashion, he just piles on the special effects, and reaches a
saturation level almost immediately. I adore the make-up effects by
the legendary Rick Baker, but Sonnenfeld is more interested in flying,
computer effects than in anything hand made.
As with the first movie, this new installment is incredibly fast
paced. While this is meant to keep things light and airy in an
effects-heavy picture, Sonnenfeld doesn’t quite find the pulse of
this new adventure, and the 82 minutes, which should be a godsend in
terms of pacing, are handled poorly. The story is out of control, and
the emotional beats of the characters are foolish. How are we supposed
to care about Agent Jay’s feelings for a witness (Rosario Dawson)
when they only meet twice? The film’s core is built around the
disclosure that Agent Jay’s loneliness can be cured by this woman,
and it doesn’t work. So when the moment comes to pay this
relationship off, the result is depressingly botched. This is a short
movie packed with a million ideas and visuals. However this packaging
worked for audiences the first time around, it certainly isn’t
repeated here.
I ask you, could Will Smith and Tommy Lee Jones look any more
bored? You’d think for the paychecks they’re receiving, the duo
could come up with something a little fresher than the same old shtick
from “Men In Black.” Sonnenfeld and the writers miss a golden
opportunity by not having fun with the short time Jay’s and Kay’s
roles are reversed in the opening of the film. Instead, as this
lightning movie rarely stops for air, Jay and Kay just assume their
old roles shortly after they’re reunited, and the film dies
instantly. And is there anything sadder than watching Will Smith
trying to be funny? Sure, the actor can hit notes of grace unlike any
in his league, but seeing him do physical comedy or “go off the
page” as freely as Sonnenfeld allows him to do is dreadful to watch.
I can count the laughs in “Men In Black 2” on one hand, and two of
them don’t even go to the principals. A “smooth criminal” takes
those…
Thankfully, there is some creativity shown in the casting of Lara
Flynn Boyle as Serleena. With her porcelain skin and gravel voice, she
makes for a marvelous villain. If Sonnenfeld had managed to do a
little more with Boyle or the character (the part seems whittled down
from something much larger), then “Men In Black 2” might have
found a greater level of success. As it stands, the best thing to
happen to Jay and Kay is Serleena. If only this dreary sequel had
filmmakers who understood that as well.
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