Movie
Review | Maid in Manhattan
Reviewed by: Brian
Orndorf
Marisa Ventura (Jennifer Lopez) is a struggling maid in one of New
York City's top hotels. Juggling her work with the raising of her 10
year-old son (Tyler Posey), Marisa dreams of a better life, but is
afraid of taking a risk to achieve it. Enter Chris Marshall (Ralph
Fiennes), a senatorial candidate who has grown weary of the campaign
trail. When an incident involving mistaken identity leads Chris to
believe that Marisa is a guest of the hotel and not the help, he is
instantly smitten with her. Soon enough, Marisa finds herself in over
her head, unable to reveal her true vocation to her admirer, and, also
in the process, trying not to jeopardize her co-workers' (including
Bob Hoskins and Chris Eigeman) jobs with her tomfoolery.
Trapped inside this decidedly traditional, "Cinderella"
style romantic comedy is a charming little picture with an unusual
filmmaking pedigree behind it. Director Wayne Wang, who made a more
artistic choices in his earlier pictures with "The Joy Luck
Club," and "Smoke," takes the reigns of this big time
Hollywood film. Coming off his deliciously lurid stripper vs. internet
geek fantasy "The Center Of The World," "Maid"
feels like a sort of palate cleanser for the filmmaker. “Maid” is
a rather unchallenging film, and Wang is just the man to flex some
romantic comedy muscles that may have atrophied a little bit in recent
years, and brings some freshness to the worn-thin genre. "Maid In
Manhattan" isn't anything to scream about, but it's an appealing
picture, made with care, and just light enough to fit perfectly with
the holidays. While Wang attempts to stay within expected parameters,
his filmmaking skills transform deathly predictable material into
something enjoyable, and even a smidge touching.
The biggest working component in "Maid" is Jennifer
Lopez, who for the first time in a long time, is able to squeeze out
some actual onscreen appeal in a way her off-screen persona has been
overshadowing in recent years. There is little to no "J-Lo"
in Lopez's performance as Marisa, and she actually makes the leap into
fusing a little reality into her blue-collar role. After all the years
singing about how "real" she is, here's a role that actually
showcases some honest-to-god sweetness underneath all the glam. It's
revelatory, especially after what I thought would be her career-ender,
last May's "Enough."
Ralph Fiennes is unexpected here as well. The normally
uncompromising, chilly actor takes the opportunity within
"Maid" to warm up, and drop his usual pretences. Initially,
the sight of Fiennes smiling and being so jovial is disconcerting.
After all, this is the same man after all who tore up the screen in
"Red Dragon," playing the frequently naked, tattoo covered,
human-lips-eating serial killer Francis Dollarhyde. Watching him
kissing ladies, shaking hands, and being nice to children takes some
time to get used to. Soon enough, it isn't so weird to see Fiennes
court Lopez, and by the end of the film, I really appreciated the risk
Fiennes took here by playing way outside his normal range of
characters. I wouldn't say he has a future as a Cary Grant-type, but
this is another interesting choice for the ferociously talented
performer.
Being light and bubbly is in "Maid In Manhattan‘s" best
interests, for when it steps outside of this, and tries to engage a
not-too-subtle class conflict subplot, the effect drowns the picture
instantly. Rich vs. poor is just fine for other features, but
"Maid" doesn't need it. There are already enough conflicts
(both comedic and dramatic) between Marisa and Chris to keep the film
occupied, without Wang and screenwriter Kevin Wade
("Junior") trying to interject gold-digging suggestions into
the plot. It doesn't make too much sense within the story, and it
radically betrays the characters’ initial motivations. There are
already too many "you go, girl!" moments and barely
tolerable cutesy clichйs to fend off, the film doesn't need to
get this absurd.
This was a surprise, I'll be perfectly honest. Until her raging
celebrity wore off a bit, I had written off Jennifer Lopez's abilities
and charisma, but here you go - honest proof that it still exists.
Grade: 7/10
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