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Music
Review | Erasure: Nightbird Written by: Kage
Alan
Album
Rating: A
As much as I hate to say this, mostly because
I’ve grown up listening to the music of Erasure, their last two
albums were fairly forgettable. Come to think of it, I don’t even
remember much about them, so you can tell the kind of impression
they made. That aside, a new CD from Vince Clark and Andy Bell
always feels like I’m stepping back in time and visiting with
friends I haven’t seen for a couple of years and who I have some
history with. Hey, it sells discs, so I don’t think they’re going
to complain about my having stated that. I’m not weird…really.
“Nightbird,” their latest outing, didn’t jump
out at me in the way many discs do in that I hear a song and say
“Wow, that’s going to be a hit…and that one’s filler…and that’s a
great follow-up single, etc.” Rather, it elicited a mood that can
best be described as melancholy in the pensive and thoughtful
manner. It’s like watching a film that really resonates with you
and then wondering whatever happened to the characters after the
credits rolled. This is that story. It’s not meant to be another
massive blockbuster like yesteryear so much as a gift for having
traveled with them this far and wanting just that little bit more,
to see their spark shine one more time. Any group who can
accomplish this feat is worthy of our respect and Erasure has earned
it.
The first track, “No Doubt,” sets the tone with
its seemingly ethereal background vocals and melodic main vocals.
It’s an effective mix of the two and a beautiful mood arises. “Here
I Go Impossible Again” continues the musical landscape and has
quickly become a song I look forward to hearing each time the first
few notes begin. For you single-driven fans, this could easily be a
decent hit for them. And talk about setting the mood I’ve been
talking about, the lyrics for “Let’s Take One More Rocket To The
Moon” hit the mark perfectly. “Breathe” is an absolutely gorgeous
and lush track, certainly one that reminds us that Erasure can write
a radio friendly song and still make it sound like they didn’t mean
to.
The pace is picked up in the uplifting “I’ll Be
There” before calming back down with the plucky sounds of “Because
Our Love Is Real.” Andy Bell’s voice remains at its melodic best and
compliments Vince Clark’s layered audio landscapes like a dream.
Speaking of landscapes, “Don’t Say You Love Me” will have you
tapping your foot along as will “All This Time Still Falling Out Of
Love.” It’s back to thoughtful in “I Broke It All In Two” before
lightening up in “Sweet Surrender.” “I Bet You’re Mad At Me” brings
the disc to a close and feels much like a conversation that might
take place at the end of a visit. We’ve been through the highs and
lows of the brief reunion and what’s left is uncertainty. Yes, all
is as it should be.
“Nightbird” isn’t an album that should be
judged by its separate parts that make up the whole so much as it
should be considered by the whole itself. This is a beautiful
journey that casts a spell from its first track on. While I haven’t
always enjoyed every album Erasure has released, this one resonated
with me in a whole new way. Just look at some of my other reviews
and you’ll that this one is pretty different, so I rest my case.
Maybe I’m just getting old, but I needed this little walk with old
friends. If nothing else, it makes me feel a little less alone
being one of the few self-confessed kids who grew up with ‘80s music
and never really left it behind.
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